Saturday, November 10, 2007

Don't you wish you had one?

Cellphone jammers can zap all the yap

By MATT RICHTEL
New York Times News Service

SAN FRANCISCO — One afternoon in early September, an architect boarded his commuter train and became a cellphone vigilante. He sat down next to a 20-something woman who he said was "blabbing away" into her phone.

"She was using the word 'like' all the time. She sounded like a Valley Girl," said the architect, Andrew, who declined to give his last name because what he did next was illegal.

Andrew reached into his shirt pocket and pushed a button on a black device the size of a cigarette pack. It sent out a powerful radio signal that cut off the chatterer's cellphone transmission — and any others within a 30-foot radius.
























"She kept talking into her phone for about 30 seconds before she realized there was no one listening on the other end," he said.

His reaction when he first discovered he could wield such power? "Oh, holy moly! Deliverance."

As cellphone use has skyrocketed, making it hard to avoid hearing half a conversation in many public places, a small but growing band of rebels is turning to a blunt countermeasure: the cellphone jammer, a gadget that renders nearby mobile devices impotent.

The technology is not new, but overseas exporters of jammers say demand is rising and they are sending hundreds of them a month into the United States — prompting scrutiny from federal regulators and new concern this week from the cellphone industry. The buyers include owners of cafes and hair salons, hoteliers, public speakers, theater operators, bus drivers and, increasingly, commuters on public transportation.

The development is creating a battle for control of the airspace within earshot. And the damage is collateral. Insensitive talkers impose their racket on the defenseless, while jammers punish not just the offender, but also more discreet chatterers.

"If anything characterizes the 21st century, it's our inability to restrain ourselves for the benefit of other people," said James Katz, director of the Center for Mobile Communication Studies at Rutgers University. "The cellphone talker thinks his rights go above that of people around him, and the jammer thinks his are the more important rights."

The jamming technology works by sending out a radio signal so powerful that phones are overwhelmed and cannot communicate with cell towers. The range varies from several feet to several yards, and the devices cost from $50 to several hundred dollars. Larger models can be left on to create a no-call zone.

Using the jammers is illegal in the United States. The radio frequencies used by cellphone carriers are protected, just like those used by television and radio broadcasters.

The Federal Communications Commission says people who use cellphone jammers could be fined up to $11,000 for a first offense. Its enforcement bureau has prosecuted a handful of American companies for distributing the gadgets — and it also pursues their users.

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Investigators from the FCC and Verizon Wireless visited an upscale restaurant in Maryland over the last year, the restaurant owner said. The owner, who declined to be named, said he bought a powerful jammer for $1,000 because he was tired of his employees focusing on their phones rather than customers.

"I told them: Put away your phones, put away your phones, put away your phones," he said. They ignored him.

The owner said the FCC investigator hung around for a week, using special equipment designed to detect jammers. But the owner had turned his off.

The Verizon investigator was similarly unsuccessful.

"He went to everyone in town and gave them his number and said if they were having trouble, they should call him right away," the owner said. He said he has since stopped using the jammer.

Of course, it would be harder to detect the use of smaller battery-operated jammers like those used by disgruntled commuters.

In evidence of the intensifying debate over the devices, CTIA, the main cellular-phone-industry association, asked the FCC on Friday to maintain the illegality of jamming and to continue to pursue violators. It said the move was a response to requests by two companies for permission to use jammers in specific situations, like in jails.

Gary, a therapist in Ohio who also declined to give his last name, citing the illegality of the devices, says jamming is necessary to do his job effectively. He runs group therapy sessions for sufferers of eating disorders. In one session, a woman's confession was rudely interrupted.

"She was talking about sexual abuse," Gary said. "Someone's cellphone went off and they carried on a conversation."

"There's no etiquette," he said. "It's a pandemic."

Gary said phone calls interrupted therapy all the time, despite a no-phones policy. Four months ago, he paid $200 for a jammer, which he placed surreptitiously on one side of the room. He tells patients that if they are expecting an emergency call, they should give out the front desk's number. He has not told them about the jammer.

Andrew, the San Francisco-area architect, said using his jammer was initially fun, and then became a practical way to get some quiet on the train. Now he uses it more judiciously.

"At this point, just knowing I have the power to cut somebody off is satisfaction enough," he said.

Copyright © 2007 The Seattle Times Company

Friday, November 9, 2007

Wednesday, November 7, 2007

A Pale Blue Dot

This excerpt from A Pale Blue Dot was inspired by an image taken, at [Carl] Sagan's suggestion, by Voyager 1 on February 14, 1990. As the spacecraft left our planetary neighborhood for the fringes of the solar system, engineers turned it around for one last look at its home planet. Voyager 1 was about 6.4 billion kilometers (4 billion miles) away, and approximately 32 degrees above the ecliptic plane, when it captured this portrait of our world. Caught in the center of scattered light rays (a result of taking the picture so close to the Sun), Earth appears as a tiny point of light, a crescent only 0.12 pixel in size. (Click on photo to enlarge.)




























Click here to Watch "Pale Blue Dot" Video


Excerpt:

Look again at that dot. That's here. That's home. That's us. On it everyone you love, everyone you know, everyone you ever heard of, every human being who ever was, lived out their lives. The aggregate of our joy and suffering, thousands of confident religions, ideologies, and economic doctrines, every hunter and forager, every hero and coward, every creator and destroyer of civilization, every king and peasant, every young couple in love, every mother and father, hopeful child, inventor and explorer, every teacher of morals, every corrupt politician, every "superstar," every "supreme leader," every saint and sinner in the history of our species lived there--on a mote of dust suspended in a sunbeam.


The Earth is a very small stage in a vast cosmic arena. Think of the rivers of blood spilled by all those generals and emperors so that, in glory and triumph, they could become the momentary masters of a fraction of a dot. Think of the endless cruelties visited by the inhabitants of one corner of this pixel on the scarcely distinguishable inhabitants of some other corner, how frequent their misunderstandings, how eager they are to kill one another, how fervent their hatreds.


Our posturings, our imagined self-importance, the delusion that we have some privileged position in the Universe, are challenged by this point of pale light. Our planet is a lonely speck in the great enveloping cosmic dark. In our obscurity, in all this vastness, there is no hint that help will come from elsewhere to save us from ourselves.


The Earth is the only world known so far to harbor life. There is nowhere else, at least in the near future, to which our species could migrate. Visit, yes. Settle, not yet. Like it or not, for the moment the Earth is where we make our stand.


It has been said that astronomy is a humbling and character-building experience. There is perhaps no better demonstration of the folly of human conceits than this distant image of our tiny world. To me, it underscores our responsibility to deal more kindly with one another, and to preserve and cherish the pale blue dot, the only home we've ever known.


-- Carl Sagan, Pale Blue Dot, 1994


Put it where your mouth is

Poem: "Money" by Dana Gioia, from The Gods of Winter. © Graywolf Press, 1991.

Money is a kind of poetry.
—Wallace Stevens


Money, the long green,
cash, stash, rhino, jack
or just plain dough.

Chock it up, fork it over,
shell it out. Watch it
burn holes through pockets.

To be made of it! To have it
to burn! Greenbacks, double eagles,
megabucks and Ginnie Maes.

It greases the palm, feathers a nest,
holds heads above water,
makes both ends meet.

Money breeds money.
Gathering interest, compounding daily.
Always in circulation.

Money. You don't know where it's been,
but you put it where your mouth is.
And it talks.

Tuesday, November 6, 2007

Cinderella

'Cinderella'
Friday, November 02, 2007
JAMES McQUILLEN
Special to The Oregonian


How Angela Niederloh came to sing her first lead role with a major opera company isn't exactly a Cinderella story, but there's still a bit of a storybook quality to it.


























That is, the opera in question is in fact a Cinderella story -- it's the Cinderella story, in the version by Gioacchino Rossini best known in the opera world by its Italian title of "La Cenerentola."


Mezzo-soprano Niederloh will sing the role of Angelina, the Cinderella character, on the same stage where her mother sang as part of the Portland Opera chorus for 20 years. It's where her own opera experience began: She was there for dress rehearsals as a kid, which she recalled in a recent interview as "a pretty unique experience for a 9-year-old."

A few years later she began private lessons with Christine Meadows, a mezzo-soprano who has sung in more than 20 Portland Opera productions and is a voice professor at Portland State University. From Wilson High School -- "Go Trojans!" Niederloh said with a laugh -- she went on to the opera program at PSU.

The PSU program is hardly the operatic equivalent of thanklessly scrubbing the floors for your wicked stepsisters, but while it has earned considerable accolades, it's not exactly Juilliard or the Manhattan School of Music, where many of Niederloh's colleagues have gone. But as she pointed out, whatever great experiences students get at bigger-name schools, they're unlikely to get as much stage experience as she got, and that makes a huge difference.

"As a sophomore, to have a main stage role is really unusual," she said, but it's invaluable. "You learn by doing. For better or worse, you're out there, and you figure it out. I really benefited from that." In her case, it was clearly for better: In 2000, she earned national recognition as a finalist in the Metropolitan Opera National Auditions, the first of many awards.

From there, she was on to professional engagements, first at Chautauqua and later with such acclaimed summer programs as Wolf Trap and Aspen. As a member of Houston Grand Opera Studio, she sang in numerous productions, including "Falstaff" with baritone Bryn Terfel, and "La Traviata" with soprano Renee Fleming. Back home in Portland, she made her debut in 2004 with her mother's old company in Rossini's "Voyage to Reims" and appeared again in 2007 in Mozart's "Magic Flute."

Of the wide variety of repertoire she's sung, Rossini and Mozart are closest to her heart. In "Cinderella," her coloratura performs a mesmerizing high-wire act above the orchestral texture -- she calls the style "vocally naked" -- lightly negotiating hairpin melodic turns and spitfire verbal patter.

There's no hint of the temperamental diva about Niederloh. She stressed that though she's singing a title role, "Cinderella" is really an ensemble piece, and that her fellow singers are fantastic. She said she feels lucky to be taking the role with Portland Opera, that it "feels like coming home." She also said she finds Cinderella a sympathetic character and that Rossini's take on her story is a "cherry-on-top opera" and a delight.

Her story is part "local girl makes good," part "coming home to the family business" -- and in its happy rewards for hard work and virtuous character, a little bit of "Cinderella," as well.

To read a review of the opera click here.

As of today there are two more performances:
Thursday, November 8 at 7:30 PM
Saturday, November 10 at 7:30 PM

Performances are at the Keller.



Chinese Ballet Circus

Chinese Ballet Circus pas de deux troupe du Guangdong performed at the Circus Festival of Monaco.

Click here for video.

Monday, November 5, 2007

RAPSU GENERAL MEMBERSHIP MEETING PROGRAM FOR NOVEMBER 8, 2007

Creating an Age-Friendly City

Thursday, November 8, 2007 the RAPSU General Membership Meeing presentation will be "Creating an Age-Friendly City" by Margaret B. Neal, Ph.D. Director, Institute on Aging, and Professor, Community Health Portland State University. The program will be in the Multicultural Center, Room 228 Smith Hall. The social gathering will start at 12:30 PM. The program will be from 1:00 PM to 2:00 PM.























Over the next 30 years, the Portland-Vancouver metropolitan area will see dramatic growth in the proportion of the population that is aged 65 and older. Although the total population will increase about 47 percent, the 65+ population will more than double, growing by over 137 percent and comprising 17 percent of the population in 2030 compared to 10.5 percent in 2000. Fueling this increase will be the aging of the baby boomers.

In an effort to plan for our aging world, in 2006, the World Health Organization (WHO) initiated its “Age-Friendly Cities Project.” Portland, via the Institute on Aging at Portland State University, was the only U.S. city to participate among the 33 cities from 22 countries in North and South America, Europe, Asia, Africa and Australia.

The goal of the project was to identify concrete indicators of an age-friendly city and produce a practical guide for citizens, policy makers, businesses, and social and health service providers to stimulate and guide advocacy, community development, and policy change. Topics discussed include outdoor spaces and buildings; transportation; housing; respect and social inclusion; social participation; civic participation and employment; communication and information; and community support and health services.

This presentation will share the local results of the project, as well as the checklist developed by the WHO. It will highlight the age-friendly features that already exist in Portland as well as signal a few opportunities to make the city even more age-friendly. Action steps for implementation by city, county, region, PSU, and other interested groups will also be suggested, as an age-friendly city is a city friendly for all ages and abilities.